International Conference,

« Art history for artists. Interactions Between Scholarly Discourse and Artistic Practise in the 19th Century »,

7th-9th July 2016, Berlin

PROGRAMME

Thursday July 7, 2016 – H 3005

14.30 Registration
15.00 Eleonora Vratskidou, Alexander von Humboldt Stiftung/Technische Universität BerlinIntroduction: Art history, a discipline rooted in practice?
I. Art history in the art school: Institutional frameworks
Panel 1Chair: Olga Medvedkova, CNRS-ENS
15.30 Heinrich Dilly, Martin-Luther-Universität Halle-WittenbergChristian Friedrich Prange (1756-1836) und die älteste Provinzialkunstschule Preußens in Halle an der Saale
15.55 Eric Garberson, Virginia Commonwealth UniversityWilhelm Stier’s (1799-1856) architectural history at the Bauakademie, Berlin
16.20 Discussion
17.00 Coffee break
Panel 2Chair: Olga Medvedkova, CNRS-ENS
17.30 Pascal Griener, Université de NeuchâtelAnother wolf in the sheep yard: David Sutter (1811-1880) and the teaching of art history at the École des beaux-arts in Paris
17.55 Annalea Tunesi, Independent researcherThe polymath Aleardo Aleardi (1812-1878), professor of estetica applicata alle arti at the Art Academy in Florence
18.20 Foteini Vlachou, Universidade Nova de LisboaDefining the object of art history: Teaching at the Lisbon Academy of Fine Arts c. 1874-1911
18.45 Discussion
19.30 Reception

 

Friday July 8, 2016 – H 1035

I. Art history in the art school: Institutional frameworks
Panel 3Chair: Andrea Meyer, Technische Universität Berlin
9.30 Bénédicte Savoy, Technische Universität BerlinDas Museum als Ort der Künstlerausbildung um 1800
9.55 Deborah Schultz, Regent’s University London/University of OxfordPhoto archives and the role of photography in art education: The case of the Royal Academy in London in the late 19th century
10.20 Julia Witt, Technische Universität BerlinDie Kunstgeschichte und die Reformen der deutschen Kunstakademien ab 1910. Eine unauflösliche Diskrepanz?
10.45 Discussion
11.30 Coffee break
 
II. Art history and the art of the present: Scholars and artistsPanel 1

Chair: Hubert Locher, Philipps-Universität Marburg

12.00 Robert Skwirblies, Technische Universität Berlin„Die Einfalt der alten Zeiten“ und eine Bürgerschaft von Künstlern: Geschichtskonstruktion als Programmatik bei Johann David Passavant um 1820
12.25 Spyros Petritakis, University of CreteRudolf Steiner’s engagement with contemporary artists’ groups: Art-theoretical discourse within the anthroposophical milieu in Germany in the early 20th century
12.50 Émilie Oléron Evans, Institut d’Études Avancées, StrasbourgCrafting the history of decorative arts: Das Kunstgewerbe in Elsass-Lothringen (1900-1906)
13.15 Discussion
14.00 Lunch break – free time
 
Panel 2Chair: Hubert Locher, Philipps-Universität Marburg
15.30 Petra Brouwer, University of AmsterdamColliding times: The contemporary in 19th-century architectural history books
15.55 Melanie Sachs, Philipps-Universität MarburgVom Nutzen und Nachteil der Kunstgeschichte für die mitlebende Kunst: Historismuskritik in kunsthistorischen Schriften um 1900
16.20 Yannis Hadjinicolaou, Humboldt Universität Berlin‘Die Neue Sachlichkeit Rembrandts’: Aby Warburg’s Claudius Civilis
16.45 Discussion
17.30 Coffee break
Panel 3Chair: Eleonora Vratskidou, Alexander von Humboldt Stiftung/Technische Universität Berlin
18.00 Pier Paolo Racioppi, IES Abroad Italy, RomeThe men of letters and the teaching artists: Debating invention at the Accademia di San Luca in Rome during the first decades of the 19th century
18.25 Lena Bader, Deutsches Forum für Kunstgeschichte ParisKünstler vs. Kunsthistoriker? Streit der Interpretationen im Holbein-Streit
18.50 Discussion

 

Saturday July 9, 2016 – H 1035

3. Art history by artists: The artist as producer of art discourse
Panel 1Chair: Eleonora Vratskidou, Alexander von Humboldt Stiftung/Technische Universität Berlin
10.00 Claire Barbillon, Université de PoitiersHow did 19th-century French sculptors write the history of ancient Greek sculpture?
10.25 Wibke Schrape, Museum für Asiatische Kunst, Staatliche Museen zu BerlinFrom artists to art historians: Art discourse in transition in 19th-century Japan
10.50 Discussion
11.30 Coffee break
Panel II – Chair: Bärbel Küster, Technische Universität Berlin
12.00 Michael Thimann, Georg-August-Universität GöttingenKunsthistorisches Praxiswissen: Carl Wilhelm Oesterley (1805-1891) als Professor an der Universität Göttingen
12.25 Margherita D’Ayala Valva, Scuola Normale Superiore in PisaArtists’ reading and copybook practice as a form of self-taught education
12.50 Anne Gregersen, University of CopenhagenArtists’ collections as producers of alternative art historical narratives: The example of J. F. Willumsen’s collection
13.15 Discussion
14.00 Lunch break – free time
Panel 3Chair: Pascal Griener, Université de Neuchâtel
16.00 Léa Kuhn, Ludwig-Maximilians-Universität MünchenConfiguring the gaze: Matthew Pratt’s painterly in(ter)vention
16.25 France Nerlich, Université François-Rabelais de ToursSetting new paradigms for art and science: Art history by Friedrich Overbeck and Paul Delaroche
16.50 Jan Dirk Baetens, Radboud University NijmegenBruegel the Elder, Bruegel the much much Younger, and the Antwerp Raphael: The invention of Pieter Bruegel the Elder in the work of Henri Leys and his followers
17.15 Discussion
18.00 Closing roundtable

Convenor / Concept

Eleonora Vratskidou

Alexander von Humboldt Postdoctoral Fellow

Technische Universität Berlin

Institut für Kunstwissenschaft und Historische Urbanistik

Fachgebiet Kunstgeschichte der Moderne

Scientific Committee

Heinrich Dilly, Martin-Luther-Universität Halle-Wittenberg

Pascal Griener, Université de Neuchâtel

Hubert Locher, Philipps-Universität Marburg

Olga Medvedkova, CNRS-ENS (Centre Jean Pépin)

Michela Passini, CNRS-ENS (IHMC)

Matthew Rampley, University of Birmingham

Bénédicte Savoy, TU Berlin

Eleonora Vratskidou, TU Berlin

Sources de l’article : https://arthistoryforartists.com/ et http://www.kuk.tu-berlin.de/